{"id":5216,"date":"2016-06-07T16:31:34","date_gmt":"2016-06-07T16:31:34","guid":{"rendered":"http:\/\/artzealous.com\/?p=5216"},"modified":"2016-06-07T16:31:34","modified_gmt":"2016-06-07T16:31:34","slug":"three-artists-making-their-nyc-debuts","status":"publish","type":"post","link":"https:\/\/artzealous.com\/three-artists-making-their-nyc-debuts\/","title":{"rendered":"Three Artists Making Their NYC Debuts"},"content":{"rendered":"

New York is the place where cultures come to an apex. There\u2019s no better illustration of this than the exciting mix of international art on view at NYC galleries in June. Below you\u2019ll find three exciting international artists on view for the first time in New York:<\/p>\n

 <\/p>\n

Nino Cais \u201cTeach Me How To Dance\u201d @ Fridman Gallery<\/a> (thru June 11)<\/strong><\/p>\n

Hailing from: Brazil<\/strong><\/p>\n

Horseshoes pierced with riding crops, which precariously balance silk handkerchiefs (pictured above)<\/em>, is\u00a0an example of collaged sculptures, video, and compositions, which attempt a commentary on the balance between human instinct and societal norms.<\/p>\n

 <\/p>\n

 <\/p>\n

\"Bernard
Bernard Ammerer “Interface”<\/span><\/figcaption><\/figure>\n

Bernard Ammerer \u201cInterface\u201d @ 532 Gallery<\/a> (thru June 18)<\/strong><\/p>\n

Hailing from: Austria<\/strong><\/p>\n

Casually dressed figures jump, peer, and run further into nondescript and cloud-filled paintings. Surrealism is a definite influence, with some headless figures and body-less heads floating dwelling in several canvases.<\/p>\n

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 <\/p>\n

\"Kwon
Kwon Young-woo “Untitled,” courtesy the Estate of Kwon Young-woo and Blum & Poe, Los Angeles\/New York\/Tokyo<\/span><\/figcaption><\/figure>\n

Kwon Young-Woo @ Blum & Poe<\/a> (thru July 1)<\/strong><\/p>\n

Hailing from: Korea<\/strong><\/p>\n

Calling to mind the hypnotic repetitiveness of Yayoi Kusama\u2019s Nets, <\/em>Kwon Young-Woo\u2019s scratched paper compositions beckon you to take closer look at where his marks start and end. Young-Woo\u2019s work is a demonstration of Dansaekhwa, a 1970s and 80s Korean movement concerned with the manipulation of material. A generation older than Lee Ufan, Young-Woo is one of the key founders of the group.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

New York is the place where cultures come to an apex<\/p>\n","protected":false},"author":9,"featured_media":5232,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,23],"tags":[],"_links":{"self":[{"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/posts\/5216"}],"collection":[{"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/comments?post=5216"}],"version-history":[{"count":0,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/posts\/5216\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/media\/5232"}],"wp:attachment":[{"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/media?parent=5216"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/categories?post=5216"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/tags?post=5216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}