{"id":36204,"date":"2020-05-21T20:40:54","date_gmt":"2020-05-21T20:40:54","guid":{"rendered":"http:\/\/artzealous.com\/?p=36204"},"modified":"2020-05-22T15:13:50","modified_gmt":"2020-05-22T15:13:50","slug":"joie-de-vivre-instills-creativity-joy-and-stillness-amidst-chaos","status":"publish","type":"post","link":"https:\/\/artzealous.com\/joie-de-vivre-instills-creativity-joy-and-stillness-amidst-chaos\/","title":{"rendered":"\u201cJoie de Vivre\u201d Instills Creativity, Joy, and Stillness Amidst Chaos"},"content":{"rendered":"\n

Written by Anna Mikaela Ekstrand, Editor-in-Chief Cultbytes<\/a> and Independent Curator<\/em>.

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Joan Mir\u00f3 (1893-1983) was in Paris when the Spanish Civil War broke out in 1936 and stayed in the city until the German invasion drove him to return to Spain, in 1940. Amidst this period of extremism what appears stronger than the tensions between revolutionaries and conservatists is Mir\u00f3\u2019s dogged pursuit of painterly innovation and an emerging whimsy characterized by a childlike freedom of line and exuberant colors that would come to dominate his later work. 

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\u201cJoie de Vivre,\u201d<\/a> presented virtually, by Zeit Contemporary Art<\/a>, is a motivating exhibition that presents artists who in times of duress have produced capricious and joyful work, and art simply aimed to inspire. Mir\u00f3 painted Le cracheur de flames<\/em>, the flame-spitter, shortly before the end of Franco\u2019s military dictatorship. With its anthropomorphized and hieroglyphic shapes it was avant-garde. 

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\"Painting
Joan Miro, Le cracheur de flames<\/em> (1974)

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The modern history of Spain can be charted through the oeuvre of both Mir\u00f3 and Picasso; but, where Picasso highlights atrocities, like in Guernica, Mir\u00f3\u2019s work serves as graffiti of sorts that enhances, blots out, and reimagines the human psyche. This is especially clear in In the present moment of global unrest, I am happy to revisit Mir\u00f3\u2019s artistry as it reminds me that creativity and joy is a source of strength during times of crisis. 

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Whether you have taken a break from following the news, or not, it is safe to say that all of us have strong sentiments or a deeper and maybe more problematic relationship toward the current news-cycle \u2013 reporting on the Corona virus. Although I am a news-junkie, scrolling by Julia Rooney\u2019s poetic \u201cpaper\u201d series where the artist has repurposed newspapers soothed me.

With a nod toward abstract expressionism and the meditative aspects of color field painting, Rooney\u2019s collage works are simple but profound. Haphazardly, shaped like square and rectangular windows, Rooney has painted over the newspaper with acrylic and tempera in block colors, lines, and triangles \u2013 nearly ritualistic. In paper (blue), an oval above and below the window reveal the bare newspaper. 

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\"Rooney,
Julia Rooney, paper (blue)<\/em> (2018)

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Beginning in the 1970\u2019s, when they moved to the Hamptons, Pop-artist Roy Lichtenstein and his wife Dorothy began frequenting the Shinnecock Reservation. Lichtenstein showed a great interest in his new neighbors, he acquired Native American artifacts, attended pow-wows, and amassed at least 17 books of Native American art and material culture in his personal library.

\u201cAmerican Indian Theme VI,\u201d included in the show,\u200b from 1980 is a mish-mash of Native American motifs adapted to Lichtenstein\u2019s cubist abstract signature style. Lichtenstein\u2019s \u201cAmerindian\u201d works remind us that Native American mythology is a foundational building block, coming long before comic strips and advertisements, to American life.   

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In the 21st<\/sup> century as a society, we have become obsessed with self-actualization and the pursuit of happiness. The exhibition ushers viewers to move beyond self-actualization and instead to look toward the collective. Namely to consider \u201chow we as a culture can aspire to joy, to rise to be the best of ourselves.\u201d According to the French philosopher Henri Berguson, the vital impulse (or joie de vivre) is a powerful force that can initiate societal, spiritual, and mystic progress. \u201cWherever there is joy, there is creation,\u201d he famously wrote. 

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\"Roy
Roy Lichtenstein, American Indian Theme VI<\/em> (1980)

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\u201cJoie de Vivre\u201d presents work by ten modern, post-war, and contemporary artists including moving works by Alexander Calder, Keith Haring, Damien Hirst, and Alex Katz that range from quietly beautiful to jarring and energetic. Blue chip galleries and art fairs are leading the way in online viewing rooms, and unfortunately they do not come close to seeing work in person. However, what this exhibition lacks physicality it makes up for through its conceptual framework. Each work has a story, or speaks to an impulse that tugs at the viewers heart strings.

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In the photograph \u201cJordan Dancing,\u201d Bryson Rand has captured a still of a friend dancing \u2013 although dancing is not normally private, the captured gesture feels incredibly intimate. Most of Rand\u2019s sitters are queer and this photograph evokes the conflicts of visibility and invisibility that has impacted queer desire through legislation and societal norms throughout history.

Perhaps, I am drawn in particular to this photograph as I have, in quarantine, come to have a closer experience with dance \u2013 engaging with dancers over Zoom and watching filmed performances and dance snippets up close on a hand-held device as opposed from far away has given me a bigger interest in detail. Through the photograph, Rand offers us a close-up of his sitter\u2019s soul, something that he takes great joy in doing. 

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\"Black
Bryson Rand, Jordan Dancing<\/em> (2020)<\/figcaption><\/figure>\n\n\n\n
\"Painting
Iman Raad, Sleeping Striped Cat and Golden-Backed Woodpecker <\/em>(2018)<\/figcaption><\/figure>\n\n\n\n

A quote by Sam Francis opens the exhibition: \u201cWhat we want is to make something that fills utterly the sight and can\u2019t be used to make life only bearable.\u201d Evoking the rich tradition of Persian story telling and elaborate detail, Iman Raad\u2019s work \u201cSleeping Striped Cat and Golden-Backed Woodpecker\u201d presents a flutter of activity bordering on psychedelic where fruits, richly patterned textiles, and flowers crowd the canvas. Surprisingly, however, the striped cat sleeps peacefully. 

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As Raad\u2019s work closes the exhibition I cannot help but spend an extra moment looking at it on my glowing screen. I associate its tumultuous subject matter to the unsettling disturbance of our time, a time in which we must find stillness and strength to make life more than bearable \u2013 is art and creativity the answer? 

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\u201cJoie de Vivre\u201d<\/a> is presented by Zeit Contemporary Art as an online viewing room accessible through May 31st<\/sup>, 2020.

All images courtesy of Anna Mikaela Ekstrand and Zeit Contemporary Art.
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Written by Anna Mikaela Ekstrand, Editor-in-Chief Cultbytes and Independent Curator. Joan Mir\u00f3 (1893-1983) was in Paris when the Spanish Civil War broke out in 1936 and stayed in the city until the German invasion drove him to return to Spain, in 1940. Amidst this period of extremism what appears stronger than the tensions between revolutionaries […]<\/p>\n","protected":false},"author":31,"featured_media":36213,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,21,193],"tags":[195,194,196,197],"_links":{"self":[{"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/posts\/36204"}],"collection":[{"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/users\/31"}],"replies":[{"embeddable":true,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/comments?post=36204"}],"version-history":[{"count":0,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/posts\/36204\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/media\/36213"}],"wp:attachment":[{"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/media?parent=36204"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/categories?post=36204"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/tags?post=36204"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}