{"id":35514,"date":"2020-02-12T19:18:23","date_gmt":"2020-02-12T19:18:23","guid":{"rendered":"http:\/\/artzealous.com\/?p=35514"},"modified":"2020-02-12T19:26:14","modified_gmt":"2020-02-12T19:26:14","slug":"for-joan-mitchell-on-her-birthday","status":"publish","type":"post","link":"https:\/\/artzealous.com\/for-joan-mitchell-on-her-birthday\/","title":{"rendered":"The Astrology of Joan Mitchell, on her Birthday"},"content":{"rendered":"\n
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Standing in front of a painting by Joan Mitchell is viscerally transcendent. From the largeness of her canvases, to the impassioned, violent brushwork, the vibrational content of the composition is as compelling, hypnotic, and stimulating as the color, dimension, and movement of her works. Joan was born on February 12th, 1925 to a well-to-do family in Chicago, IL. Her mother, Marion Strobel Mitchell, was a founding editor of Poetry<\/em> magazine, one of the U.S.\u2019s most seminally important journals of verse, and her father was a prominent doctor. High-society hopes were pinned on Joan from birth, but Joan, emphatically, had other ideas. I\u2019ve been mad for Abstract Expressionism since my late teens\u2014when I discovered it, I was immediately captivated by these over-sized canvases that seemed to seethe with pure emotion, devoid of recognizable content. I\u2019m sure this has something to do with my own Neptunian leanings, but to me, these paintings were like poems, blown up and blooming. And indeed, the movement, or group, had its own poets affiliated\u2014Frank O\u2019Hara, John Ashbery, James Schuyler, Kenneth Koch, and Barbara Guest shared space and spanned time with the likes of Willem and Elaine de Kooning, Helen Frankenthaler, Jackson Pollock, Lee Krasner, and many others.
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