{"id":34975,"date":"2019-12-06T15:25:44","date_gmt":"2019-12-06T15:25:44","guid":{"rendered":"http:\/\/artzealous.com\/?p=34975"},"modified":"2019-12-06T15:35:02","modified_gmt":"2019-12-06T15:35:02","slug":"deitch-and-gagosian-team-up-once-again-for-art-basel-miami","status":"publish","type":"post","link":"https:\/\/artzealous.com\/deitch-and-gagosian-team-up-once-again-for-art-basel-miami\/","title":{"rendered":"Deitch and Gagosian Team Up Once Again for Art Basel Miami"},"content":{"rendered":"\n<p>Jeffrey <a rel=\"noreferrer noopener\" aria-label=\"Deitch (opens in a new tab)\" href=\"http:\/\/deitch.com\/\" target=\"_blank\">Deitch<\/a> and Larry <a rel=\"noreferrer noopener\" aria-label=\"Gagosian (opens in a new tab)\" href=\"https:\/\/gagosian.com\/\" target=\"_blank\">Gagosian<\/a> hosted their fifth series for \u201c<a href=\"https:\/\/gagosian.com\/news\/2019\/11\/09\/extreme-present-exhibition-deitch-moore-building-miami\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"The Extreme Present (opens in a new tab)\">The Extreme Present<\/a>\u201d which explore artists\u2019 reactions to the conditions of our accelerating and increasingly complex world. The title is inspired by <a rel=\"noreferrer noopener\" aria-label=\"The Age of Earthquakes: A Guide to the Extreme Present (opens in a new tab)\" href=\"https:\/\/www.amazon.com\/Age-Earthquakes-Guide-Extreme-Present\/dp\/0399173862\" target=\"_blank\">The Age of Earthquakes: A Guide to the Extreme Present<\/a>, a book by Shumon Basar, Douglas Coupland, and Hans Ulrich Obrist, published in 2015. <br><br>Their provocative thesis addresses the rapidly evolving digital era, half a century after Marshall McLuhan\u2019s groundbreaking study on technology\u2019s influence on culture, Understanding Media: The Extensions of Man, in which he coined the phrase \u201cthe medium is the message.\u201d \u201cThe Extreme Present<em>\u201d<\/em>\u00a0offers a compact history of our time, told through artists\u2019 contributions that are both political and personal. In conjunction with the exhibition, copies of Basar, Coupland, and Obrist\u2019s book were distributed free of charge to visitors. In attendance alongside Jeffrey Deitch and Larry Gagosian were\u00a0Chloe Wise and Tali Lennox to name a few.<br><br><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><em>Moore Building, 191 NE 40<sup>th<\/sup>&nbsp;Street<\/em><br><br><\/p>\n\n\n\n<ul class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><li class=\"blocks-gallery-item\"><figure><img fetchpriority=\"high\" decoding=\"async\" width=\"2048\" height=\"1367\" src=\"http:\/\/artzealous.com\/wp-content\/uploads\/2019\/12\/SCB_6213.jpg\" alt=\"\" data-id=\"34984\" data-link=\"http:\/\/artzealous.com\/?attachment_id=34984\" class=\"wp-image-34984\" srcset=\"https:\/\/artzealous.com\/wp-content\/uploads\/2019\/12\/SCB_6213.jpg 2048w, https:\/\/artzealous.com\/wp-content\/uploads\/2019\/12\/SCB_6213-454x303.jpg 454w, https:\/\/artzealous.com\/wp-content\/uploads\/2019\/12\/SCB_6213-768x513.jpg 768w, https:\/\/artzealous.com\/wp-content\/uploads\/2019\/12\/SCB_6213-320x215.jpg 320w, https:\/\/artzealous.com\/wp-content\/uploads\/2019\/12\/SCB_6213-150x100.jpg 150w\" sizes=\"(max-width: 2048px) 100vw, 2048px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" width=\"2048\" height=\"1367\" src=\"http:\/\/artzealous.com\/wp-content\/uploads\/2019\/12\/Chloe-Wise-Tali-Lennox-Ariana-Papademetropoulos2.jpg\" alt=\"\" data-id=\"34983\" data-link=\"http:\/\/artzealous.com\/?attachment_id=34983\" class=\"wp-image-34983\" srcset=\"https:\/\/artzealous.com\/wp-content\/uploads\/2019\/12\/Chloe-Wise-Tali-Lennox-Ariana-Papademetropoulos2.jpg 2048w, https:\/\/artzealous.com\/wp-content\/uploads\/2019\/12\/Chloe-Wise-Tali-Lennox-Ariana-Papademetropoulos2-454x303.jpg 454w, https:\/\/artzealous.com\/wp-content\/uploads\/2019\/12\/Chloe-Wise-Tali-Lennox-Ariana-Papademetropoulos2-768x513.jpg 768w, https:\/\/artzealous.com\/wp-content\/uploads\/2019\/12\/Chloe-Wise-Tali-Lennox-Ariana-Papademetropoulos2-320x215.jpg 320w, https:\/\/artzealous.com\/wp-content\/uploads\/2019\/12\/Chloe-Wise-Tali-Lennox-Ariana-Papademetropoulos2-150x100.jpg 150w\" sizes=\"(max-width: 2048px) 100vw, 2048px\" \/><figcaption>Chloe Wise Tali Lennox Ariana Papademetropoulos<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" width=\"2048\" height=\"1365\" src=\"http:\/\/artzealous.com\/wp-content\/uploads\/2019\/12\/627A0315.jpg\" alt=\"\" data-id=\"34981\" data-link=\"http:\/\/artzealous.com\/?attachment_id=34981\" class=\"wp-image-34981\" srcset=\"https:\/\/artzealous.com\/wp-content\/uploads\/2019\/12\/627A0315.jpg 2048w, https:\/\/artzealous.com\/wp-content\/uploads\/2019\/12\/627A0315-454x303.jpg 454w, https:\/\/artzealous.com\/wp-content\/uploads\/2019\/12\/627A0315-768x512.jpg 768w, https:\/\/artzealous.com\/wp-content\/uploads\/2019\/12\/627A0315-150x100.jpg 150w\" sizes=\"(max-width: 2048px) 100vw, 2048px\" \/><\/figure><\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-text-color has-cyan-bluish-gray-color\"><em>Photo Credit: Courtesy of&nbsp; World Red Eye<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jeffrey Deitch and Larry Gagosian hosted their fifth series for \u201cThe Extreme Present\u201d which explore artists\u2019 reactions to the conditions of our accelerating and increasingly complex world. The title is inspired by The Age of Earthquakes: A Guide to the Extreme Present, a book by Shumon Basar, Douglas Coupland, and Hans Ulrich Obrist, published in [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":34982,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,23],"tags":[],"_links":{"self":[{"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/posts\/34975"}],"collection":[{"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/comments?post=34975"}],"version-history":[{"count":0,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/posts\/34975\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/media\/34982"}],"wp:attachment":[{"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/media?parent=34975"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/categories?post=34975"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/tags?post=34975"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}