{"id":30572,"date":"2018-10-12T13:12:56","date_gmt":"2018-10-12T13:12:56","guid":{"rendered":"http:\/\/artzealous.com\/?p=30572"},"modified":"2018-10-12T13:12:56","modified_gmt":"2018-10-12T13:12:56","slug":"the-record-breaking-delacroix-is-now-at-the-met","status":"publish","type":"post","link":"https:\/\/artzealous.com\/the-record-breaking-delacroix-is-now-at-the-met\/","title":{"rendered":"The Record-Breaking \u2018Delacroix\u2019 is Now at the Met"},"content":{"rendered":"

It broke records in Paris. Now, it\u2019s arrived in New York.<\/p>\n

 <\/p>\n

Perhaps Jay-Z and Beyonce\u2019s “Apesh**t” video helped to get people to the Louvre<\/a>; but, what caused them to stay was Delacroix<\/em>.<\/p>\n

 <\/p>\n

The long-awaited Delacroix<\/em> exhibition had nearly 540,000 visitors when it showed in Paris over the summer. This showing broke attendance records at the already-beloved Louvre. Now the work of renowned artist Eug\u00e8ne Delacroix has come to New York and is currently on view at the Metropolitan Museum of Art.<\/a> The exhibition is a collaboration between the two institutions.<\/p>\n

 <\/p>\n

Nineteenth-century Romantic painter Eug\u00e8ne Delacroix led an artistic charge with his animated brushstrokes and attention given to emotion in his paintings. Nearly 150 works \u2013 paintings, drawings, prints and manuscripts, many of which have never been shown in the U.S. \u2013 will be on view through January 6, 2019.<\/p>\n

 <\/p>\n

\"\"
Eug\u00e8ne Delacroix (1798-1863). “M\u00e9phistoph\u00e9l\u00e8s dans les airs”. Lithographie sur chine appliqu\u00e9. Mus\u00e9e des Beaux-Arts de la Ville de Paris, Petit Palais. Dimensions: 30,4 x 25 cm<\/em><\/span><\/figcaption><\/figure>\n

 <\/p>\n

 <\/p>\n

Delacroix<\/em> attempts to clarify the work and life of the artist by organizing the exhibited pieces into three categories: the formative years of Delacroix\u2019s career (1820s), his exploration of historical themes (1830s and on) and his growing interest in nature during his final years.<\/p>\n

 <\/p>\n

Recognized as he may be, this is the first major Delacroix retrospective ever in North America. A true \u201cRomantic,\u201d his works mostly revolved around nature, literature, history and religion. He was also greatly influenced by his trip to Morocco, which produced one of his most famous works, \u201cWomen of Algiers,\u201d also on display.<\/p>\n

 <\/p>\n

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Delacroix Eug\u00e8ne (1798-1863). Paris, mus\u00e9e du Louvre. INV3824.<\/em><\/span><\/figcaption><\/figure>\n

 <\/p>\n

His use of color, and his constant search for something new, inspired the likes of Baudelaire and Van Gogh. Delacroix\u2019s still lifes were also influential, as they held emotion over most, and were in some ways a precursor of Impressionism. His “Basket of Flowers” still life was conserved for the exhibition by removing a layer of old varnish to reveal Delacroix’s original color composition. “Christ in the Garden of Olives” was also cleaned especially for the show.<\/p>\n

 <\/p>\n

Also on view at the Met is a related exhibition titled Devotion to Drawing: The Karen B. Cohen Collection of Eug\u00e8ne Delacroix<\/em>, which remains on view at The Met through November 12. Devotion<\/em> will take a closer look at Delacroix\u2019s work as a draftsman with a display of about 130 drawings.<\/p>\n

 <\/p>\n

\"\"
Eug\u00e8ne Delacroix (French, 1798\u20131863). Self-Portrait with Green Vest, ca. 1837. Oil on canvas, 25 9\/16 x 21 7\/16 in. (65 x 54.5 cm). Mus\u00e9e du Louvre, Paris. \u00a9 RMN\u2013Grand Palais (Mus\u00e9e du Louvre) \/ Michel Urtado<\/em><\/span><\/figcaption><\/figure>\n

 <\/p>\n

The Metropolitan Museum of Art<\/a> is located at 1000 Fifth Avenue, New York.<\/em><\/p>\n

Museum Hours: Sunday\u2013Thursday: 10am\u20135:30pm, Friday and Saturday: 10am\u20139pm.<\/em><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

It broke records in Paris<\/p>\n","protected":false},"author":6,"featured_media":30633,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"_links":{"self":[{"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/posts\/30572"}],"collection":[{"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/comments?post=30572"}],"version-history":[{"count":0,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/posts\/30572\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/media\/30633"}],"wp:attachment":[{"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/media?parent=30572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/categories?post=30572"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/tags?post=30572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}