{"id":22757,"date":"2017-10-03T12:26:18","date_gmt":"2017-10-03T12:26:18","guid":{"rendered":"http:\/\/artzealous.com\/?p=22757"},"modified":"2017-10-03T12:26:18","modified_gmt":"2017-10-03T12:26:18","slug":"young-collectors-series-part-ii-an-interview-with-christies-specialist-cara-zimmerman","status":"publish","type":"post","link":"https:\/\/artzealous.com\/young-collectors-series-part-ii-an-interview-with-christies-specialist-cara-zimmerman\/","title":{"rendered":"Young Collectors Series Part II: An Interview with Christie’s Specialist Cara Zimmerman"},"content":{"rendered":"
Last week we began our three-part Young Art Collectors Series<\/a>\u00a0aiming to answer the biggest question facing the art world today: what exactly appeals to the younger generations of art collectors, and why are they buying the art they\u2019re buying? The first part<\/a> featured\u00a0the\u00a0enlightening\u00a0perspectives of\u00a0gallerist and filmmaker Scott Ogden, and today, Part II of our series presents an interview with Cara Zimmerman, who practically drives<\/em> the ebb and flow of the art market on a daily basis.<\/p>\n <\/p>\n As\u00a0Vice President and Specialist in Folk and Outsider Art at Christie’s<\/a>, Cara Zimmerman<\/a> curates some of the most\u00a0prominent art auctions in the world. While\u00a0Zimmerman is quite accustomed to five- and six-digit price points being thrown around confidently on the auction house floor, her combination of academic prowess and business savvy developed from her positions at Christie’s<\/a> and the Philadelphia Museum of Art<\/a> offer a holistic, inside look at the art-dealing world.<\/p>\n <\/p>\n Ms. Zimmerman shared with us her insightful thoughts on the\u00a0trajectory\u00a0of the modern art market, as well as her experiences as both a collector and as a Christie’s<\/a> Specialist (including where to enjoy a proper drink after a lucrative auction).<\/p>\n <\/p>\n Art Zealous:<\/strong> Walk us through an average day for you.<\/strong><\/p>\n Cara Zimmerman:<\/strong> One of the great joys of my career is that there is no average day. Some weeks, I\u2019m on the road visiting collectors and seeing exhibitions. Others, I\u2019m in the office examining works for upcoming auctions. Others, I\u2019m putting together exhibitions for upcoming sales. One unifying feature is that I\u2019m always looking at objects.<\/p>\n <\/p>\n AZ:<\/strong> You\u2019ve just finished a major auction of your favorite outsider artists. Where do you go afterward to celebrate, and what is your celebratory drink of choice?<\/strong><\/p>\n CZ:<\/strong> I head to the Harvard Club <\/a>bar (a couple of blocks from work) for red wine or a Hendricks martini.<\/p>\n <\/p>\n AZ:\u00a0How did you begin as a collector, and do you remember the first piece(s) you collected?<\/strong><\/p>\n CZ:\u00a0<\/strong>While I have long collected objects and drawings that speak to me, I vividly remember the first piece that made me feel like a \u201ccollector.\u201d It is a small Hipkiss<\/a> drawing, which I purchased from Cavin Morris Gallery<\/a> at the 2006 Outsider Art Fair<\/a>. I paid for it in small monthly installments (I was in an entry-level museum job at the time), and I remember being simultaneously thrilled and terrified that I\u2019d taken the leap and acquired this.<\/p>\n <\/p>\n