{"id":18270,"date":"2017-05-11T12:58:02","date_gmt":"2017-05-11T12:58:02","guid":{"rendered":"http:\/\/artzealous.com\/?p=18270"},"modified":"2017-05-11T13:02:27","modified_gmt":"2017-05-11T13:02:27","slug":"yoga-mats-yoni-eggs-and-body-image-an-interview-with-artist-alex-ebstein","status":"publish","type":"post","link":"https:\/\/artzealous.com\/yoga-mats-yoni-eggs-and-body-image-an-interview-with-artist-alex-ebstein\/","title":{"rendered":"Yoga Mats, Yoni Eggs and Body Image: An Interview with Artist Alex Ebstein"},"content":{"rendered":"
“The real you is sexy.” “Love your body.” “Be your beautiful self.” Lately, we can’t seem to get through a social media newsfeed scrolling session without\u00a0coming across multiple posts promoting body positivity or pointing fingers at certain companies\u00a0for manipulating how women view their bodies. We recently caught up\u00a0with Alex Ebstein, a Baltimore-based artist whose work\u00a0deals with the commercialization of body image and wellness.\u00a0You may be familiar with\u00a0her yoga mat paintings, but read on to learn about her foray\u00a0into sculpture and the crazy self-care trend that fascinates her.<\/p>\n
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AZ:\u00a0Tell us a bit about your artistic background. Would you consider yourself a full-time artist, or do you dabble in other ventures as well?\u00a0<\/strong><\/p>\n AE:\u00a0<\/strong>I am an artist based in Baltimore, Maryland where my creative practice has also crossed over into curating and writing. I consider myself a full-time artist in terms of my education and my schedule is built around my ability to be in the studio as much as possible. I am an adjunct professor at MICA<\/a> (Maryland Institute College of\u00a0Art) and have other freelance work.<\/p>\n <\/p>\n <\/p>\n AZ:\u00a0What compelled you to start painting on yoga mats?<\/strong><\/p>\n AE:\u00a0<\/strong>These pieces began with a performative series of cut yoga mats, displayed as artifacts of a personal ritual. Yoga, a seemly healthy and helpful practice, was unfortunately making my eye condition worse and I had to cut ties with the lifestyle and did so as literally as possible.<\/p>\n <\/p>\n After conquering this material, taking away its sanctity and utility, I wrangled it back into my mixed media practice. I eventually was able to treat it as an art material loaded with associations for the viewer, but no longer a source of loss or sadness for me. The works also went from white \u201cspecters\u201d to colorful compositions.<\/p>\n <\/p>\n Here I am able to find a lighthearted approach to the subject of deterioration, imperfection and impermanence and the commercialized ideals of body image.<\/p>\n <\/p>\n <\/p>\n