Sara<\/a>, and I have a huge love of collecting Native American art. There\u2019s something about it that speaks to what we can never do or make. It\u2019s beautiful beyond compare. It\u2019s mystical, magical, basic and intricate all at the same time.<\/p>\n <\/p>\n
My children\u2019s art inspires me the most though- I love it so much. It\u2019s so genuine, so naive, so real, so their own. I am constantly fascinated by it. They\u2019re both incredibly good painters and you can certainly see their parents influence their creativity but it\u2019s also exciting because it’s like, \u201cGod this is pretty damn good and she\u2019s 6!\u201d<\/p>\n
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I also own this little Meissen bulldog made of a brown stoneware I purchased on a trip to Berlin that I certainly covet. It\u2019s magnificently carved.<\/p>\n
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I also own a photo album that has purple velvet on the back with a gorgeous painting of deer on the front made around 1890 that is by far the one thing I would grab if the house were on fire.<\/p>\n
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AZ: You have an incredible resume, what’s been your favorite project to date & why?<\/strong><\/p>\nAB: <\/strong>Green Porno was certainly a milestone in my career. It brought together so many things, costume, set design, art making, music making, collaboration. I love all of those films and working with Isabella Rossellini was pretty unreal. She let me do whatever I wanted. I also gained a great friend through those years creating the films in art director and producer, Rick Gilbert. He\u2019s probably one of the most incredible people I will ever meet in my life. Incredibly talented and taught me almost everything I know about how to make a movie.<\/p>\n <\/p>\n
What I love most, though, are the performances I create with friends. It usually incorporates everything I just stated above, but it\u2019s with my own vision and no one else\u2019s.\u00a0 There\u2019s nothing in the world like performing, be it music or art, in this case both. My favorite and most successful was Goodbye Brooklyn<\/em>, a performance made right before I left Brooklyn created with all the people I worked with throughout the years living there. It also was a goodbye to my cat, Big Daddy, whom I dearly loved but could not make the trip to California with us as she was so old. I had to bring her back to her previous owner who took care of her until she passed. We danced, played music, laughed, cried, I made it snow, I made a full-scale puppet of myself, we filmed it all in front of an audience in this beautiful art space my friends, J Bell and Mike Perry, created. It was a once in a lifetime experience for me.<\/p>\n <\/p>\n
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AZ: You design art for sets, hotels, store windows, award ceremonies, film & museums. How does your approach differ from project to project?<\/strong><\/p>\nAB: <\/strong>Each project receives its own narrative and set of rules. Sometimes it\u2019s really off the cuff. Sometimes it means months of planning. I try more and more to do things in the moment rather than design something that takes weeks to create as it\u2019s not as fun to labor forever on something. I like to make it, put it up or shoot it and throw it away, never to be seen again. It\u2019s all performative for me.<\/p>\n <\/p>\n
That\u2019s one thing I loved about window display. You go in at 9 pm with a crew and revamp the entire store which requires hard work usually on ladders with lights, tying things to the ceiling with fishing line, and no sleep. It\u2019s pretty dangerous stuff as far as art making might go. You leave the store when the sun rises the next morning and go home, crash, wake up late in the day and go back to walk by the window to see what you and your team created the night before. It\u2019s almost like a dream. And then in a month, it\u2019s all in the dumpster! It took a minute to get used to putting all that work into something and then seeing it go away but now I don\u2019t make art unless it can be done in that fashion. Or at least I try to create something with that spirit, working in the dream world, very fast, pulling things out of thin air to create an imagined vision.<\/p>\n
<\/p>\nProject Ocean display<\/span><\/figcaption><\/figure>\n <\/p>\n
AZ: You design props for lots of magazine photo shoots. How do you design art that will fit with a certain ad campaign \/ model etc.?<\/strong><\/p>\nAB: <\/strong>For campaigns and ads there\u2019s always someone above me calling the shots. There\u2019s always tons of money at stake, so that means more planning, more meetings. It\u2019s often a fun result but can be pretty tedious.<\/p>\n <\/p>\n
For the Oprah shoot, the photographer saw my set and kept asking for more and more ferns- more more more. It was driving me crazy. We had worked like mad in the studio for two weeks straight building this paper forest and all he kept saying was more ferns! In the end, you hardly see half the work we put into the day on set, but we created this incredible environment for Oprah to step into. I learned a lot that day about setting the tone, creating the vibe for a situation.<\/p>\n
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Photos and film are funny because it only has to look good to the camera. You as a viewer don\u2019t have the chance to walk around the art to inspect. Making the space really feel immersive changes the actor or character\u2019s tone. They respect the work in a different way and give a different reaction to the camera. I want to make sure I\u2019m feeling satisfied with the world I\u2019ve created, not just set up the shot and walk away.<\/p>\n
<\/p>\nPaper Set Design for Oprah Magazine ‘Biggest, Best Summer Reading List Ever’ issue.<\/span><\/figcaption><\/figure>\n <\/p>\n
AZ: What is your favorite medium to explore?<\/strong><\/p>\nAB: <\/strong>Film is still the big unknown to me. I\u2019ve started down a path I\u2019m carving out for myself, but there\u2019s just so much to discover. That\u2019s why I love it so much. Film is still an ocean of possibilities waiting to be explored.<\/p>\n <\/p>\n
In terms of creating art, though, I love working with what\u2019s at hand. It\u2019s almost always more interesting that way because you\u2019d never think to use a cardboard box and a wine bottle with a candle in it to make a lamp but somehow it works and looks great. I love things like that.<\/p>\n
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AZ: Currently working on?<\/strong><\/p>\nAB: <\/strong>Right now I\u2019m in Marfa, Texas working on a short film which will be a music video for one of our artists on the label, RF Shannon. My wife and I started Cosmic Dreamer Music<\/a> with the intention of creating a platform for artistic expression and making music videos for our artists has been a staple in that realm.<\/p>\n <\/p>\n
The film is about the Trans-Pecos Pipeline cutting through beautiful western Texas. It\u2019s the artist\u2019s comment on a Hopi prophecy given about this land and how it will change, possibly not for the better, in the future. It\u2019s like nothing I\u2019ve ever done before, and I\u2019m proud to be down here working with him and the small crew who are all helping to make this vision come alive.<\/p>\n
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I also just shot three other videos in the same week with another artist, The Dan Ryan, down here for his new record which is going to destroy the US. It\u2019s so incredibly good.<\/p>\n
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AZ: What can we expect to see from you in the future?<\/strong><\/p>\nAB: <\/strong>I\u2019m recording at the end of this month with my band Allelujah to prep for our next full length which is all about my family and my love of the land around me.<\/p>\n <\/p>\n
I also see a performance in my head inviting people to come into a cubed and mirrored space with me so that I can create a portrait of them out of clay, photograph the work immediately after it\u2019s created and then present the portraits around the gallery that the mirror box is in. I\u2019m pretty excited about that one.<\/p>\n
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Follow Andy on Instagram @allelujahhallelujah.<\/a><\/p>\n <\/p>\n
all images \/\/ courtesy of the artist. Originally\u00a0published March 2017.<\/span><\/em><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"Andy Byers is a multi-faceted artist<\/p>\n","protected":false},"author":4,"featured_media":15748,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,24,23,12,13],"tags":[],"_links":{"self":[{"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/posts\/15696"}],"collection":[{"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/comments?post=15696"}],"version-history":[{"count":0,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/posts\/15696\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/media\/15748"}],"wp:attachment":[{"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/media?parent=15696"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/categories?post=15696"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artzealous.com\/wp-json\/wp\/v2\/tags?post=15696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}